Studio monitors play an essential role in getting the music or the audio results you wish for or need. Studio monitors help us understand the audio that we are working on and how we can improve it better. Without this understanding of the audio which we get through studio monitors, it would be not easy to achieve the audio how we want to, and we might end up with results that are not accurate.
Picking a studio monitor for mixing and mastering is not an easy or straightforward task; there are many specs that you need to comb through but don’t worry, we have got you covered with the best studio monitors for mixing and mastering. Let’s get to it!
Best Studio Monitors for mixing and mastering Comparison Table 2022
|JBL Professional 308P MkII...||3,322 Reviews||View on Amazon|
|PreSonus Eris E44 MTM Dual 4"...||1,272 Reviews||View on Amazon|
|Kali Audio LP-6 Studio Monitor -...||426 Reviews||View on Amazon|
|KRK Rokit 7 G4 Studio Monitor...||177 Reviews||View on Amazon|
|PreSonus Eris E5 XT 5.25" Near...||1,272 Reviews||View on Amazon|
1) JBL Professional Studio Monitor
One of the best studio monitors by JBL is the JBL 308PMK II. Since JBL has a name in the market for its speakers and studio monitors, this studio monitor has also upheld its name with the brand and gives you specs like no other. This studio monitor retails at around $275, which seems quite decent for the specs it provides.
It is an 8-inch powered two-way studio monitor which works with almost any studio there. It comes with JBL’s own patented Control Waveguide. Now what this does is it details out the imaging and has a wide sweet spot that is room-friendly. You also have the optimized transducers for a transient response and much-improved linearity compared to the previous models.
Through JBL’s patented Slip Stream, this studio monitor provides you with bass performance that is superior at literally all the levels of playback. This studio monitor is optimized for modern workspaces and surroundings and even improves critical listening capabilities. The monitor has a new Boundary EQ that makes adjustments for low-frequency variants introduced by your surrounding environment.
You have other technologies that are derived from the other older models, which overall improves your use with the studio monitor, and you get to enjoy the mixing experience. It has a sleek look and gives a good impression looks wise in any setting. When the studio monitor is idle, many users tend to hear a very faint white noise, which is disturbing for some people.
2) PreSonus Eris E44 MTM Dual 4” Studio Monitor
The PreSonus Eris E44 MTM is a dual 4.5-inch studio monitor that gives you a dynamic bass output that defies its size. It comes equipped with a 1.25-inch silk-dome HF driver, ensuring high-frequency performance. You even get a balanced XLR, balanced 1/4-inch TRS and even unbalanced RCA inputs that allow the studio monitor to integrate into any environment easily and seamlessly.
The studio monitor has two custom-woven Kevlar low-frequency drivers. These drivers are used to create a constant dispersion pattern through the frequency range, giving you a clear sound with minimum time-smeared audio. The MTM configurations in most studio monitors must be arranged vertically, but that’s not the case with this monitor; you can position it however you want, horizontally or vertically.
This studio monitor is known for its ability to minimize sonic differences and any component interference, giving you consistent listening. This can be achieved with its MTM/D’Appolito configuration, which minimizes sonic inconsistencies and interference in the sound. This provides users with an extremely broad sweet spot and a thoroughly consistent listening experience.
The Eris E44 MTM also comes with acoustic tuning controls that take into account anomalies in your surroundings and give you a frequency that is consistent which is customized for your mixing environment. You get other user controls like Acoustic Space settings, variable HF and MF controls and a Low-cut filter. Many users face an issue with this studio monitor dying out after a couple of years.
3) Kali Audio LP-6 Studio Monitor
The Kali Audio LP-6 was designed to allow you to listen to every detail that happens in your mix. It is a two-way 6.5-inch studio monitor with 3-D Imaging waveguide on the front top part, which allows you to hear a 3-D soundstage from a stereo pair of speakers. Below that, you have a Two-layer voice coil that allows you high dynamic range and low distortion. And the bottom front part is a Low Noise Port Tube that was created using airflow simulations to create a powerful bass without any port noise.
This studio monitor comes with a built-in power of 40W Class D amps; one amp is for the tweeter, and the other one is for the woofer. It has excellent connectivity with XLR, RCA and TRS inputs. This monitor even has an advanced port tube design which gives you detailed sound and paunchy low frequency sans any unnecessary noise.
Because of its 85 dB constant output at 2m and headroom of 20 Db, it is pretty loud enough for a one to two-person listening space. Aside from the people, the listening space also accounts for other equipment and editing bays that are most often present. You have most of the volume controls present in the rear of this studio monitor.
Aside from the volume control, the speaker’s rear also has seven Boundary EQ settings. These settings help you optimize the sound for proper placement, taking into account the surrounding settings. This studio monitor is easy to tweak and experiment with to reach the ideal sound to your liking. The only problem that occurred to users was that its cord was not of great quality.
4) KRK RP7 Rokit 7 Studio Monitor
The KRK RP7 Rokit is a 7-inch powered near-field monitor. This studio monitor is a bi-amp professional monitor that gives you a great sound experience and allows you to be creative with your mixing and mastering. Your creative freedom comes in the way of 25 settings which help in conditioning your acoustic environment while simultaneously giving you various versatile levels in your monitor.
This studio monitor comes with a 7-inch LF driver that joins the 1′ tweeter. The drivers are made from Kevlar, which ensures the sonic integrity across any and all frequencies. The front-firing port has not only low-end accuracy, clarity, extension and punch but also gives you flexible positioning for the monitor in the room.
A pretty interesting thing about this is the On-board LCD visual. This LCD, along with the data encoder, controls the DSP-driven EQ and the menu systems. The LCD and the encoder are used to fix the room’s EQ and monitor level. The monitor also has Class D power amplifiers that are proprietary to KRK, which improves the audio’s integrity while driving the sounds evenly and efficiently at operating temperatures that are reduced.
The LCD menu is pretty inconvenient to access as it is placed at the rear of the studio monitor, which users find as a con to this studio monitor.
5) PreSonus Eris E5 XT 5.25" Studio Monitor
The PreSonus Eris E5 XT is a 5.25″ studio monitor that continues on the previous models’ specs to give you a powerful amplification with loads of headroom, an accurate frequency response, and even acoustic tuning functions that help you achieve the best sound. This all could also be achieved in the older models, but the E5 XT takes it to another level with an even wider but controlled sweet spot and deeper lows.
This studio monitor offers you a 5″ woven composite low-frequency transducer which gives low but also accurate lows. On the other hand, its 1″ silk-dome high-frequency driver boast of smooth highs. You also get tight bass frequencies which are produced by its front-ported enclosures. In other specs, the 80-watts, Class B bi-amplification shows a maximum of 102dB continuous output.
The monitor’s EBM waveguide gives you a wide sweet spot. But that’s not all about this innovative waveguide. Its narrow vertical dispersion reduces the reflections when placed on your desk, giving you clean sound and a great stereo image. The monitor gives you a low-cut high pass filter that is provided for subwoofer integration. When you place this studio monitor near the corner or the wall, you might face some boundary issues that can be tamed with acoustic space control.
You get balanced and unbalanced inputs that make sure you can connect easily. It is built in such a way to protect you from RF interference, extreme output current and excessive heat. You have a gain knob that allows you to set the studio monitor’s output at greater or less than unity gain. Since this is a budget monitor, the sounds are not as refined as you would find in higher models.
Studio monitors are highly regarded as an essential tool by music engineers and others alike. It helps with mixing and mastering and also enables you to achieve the sound you wish for. Naturally, sound quality is an important aspect that has to be considered while picking out a studio monitor, but you also have to check on how you wish and where you wish to place the monitor.
Our article consists of a mix of studio monitors with various specs and at different prices, which we hope will help you select the right one for you.
Frequently Asked Questions (FAQs)
The Kali Audio LP-6 is, in my opinion, the best for mixing and mastering. It offers you great specs with next to negligible cons.
Professional studios use studio monitors in the likes of Dynaudio, KRK Rokit, Genelec, Focal Shape, Neumann and others. They are on the higher end of both specs and price.
Yes, you can mix with studio monitors.